Metaphor: ReFantazio and Persona 5 director wants to usher in the age of ‘JRPG 3.0’, which will change ‘the genre’s structure and presentation at a fundamental level’

Metaphor: ReFantazio and Persona 5 director wants to usher in the age of ‘JRPG 3.0’, which will change ‘the genre’s structure and presentation at a fundamental level’

At the Korean gaming conference G-Star 2025, Katsura Hashino, creative producer and game director at Atlus, presented a talk alongside fellow Atlus art director, Shigenori Soejima exploring the impact of visual storytelling: “When experience becomes memory—designing lasting impressions through art and structure”.

Hashino also discussed how he’s gearing up for what sounds like a literal upgrade to the JRPG genre, except there are no patch notes yet. As reported by 4gamer and translated by GamesRadar, Hashino sees the genre as three distinct eras—the past (JRPG 1.0), present (JRPG 2.0), and future (JRPG 3.0). The ‘ghosts of JRPG past, present, and future‘ would have switched up the story of A Christmas Carol a bit, and now I’m wondering what that looks like.

According to Hashino, JRPG 1.0 encompasses the “classics”, which is not a small number of enduring pioneers, including Final Fantasy—which continues to release entries to this day after more than 35 years—alongside Atlus’ own Shin Megami Tensei and Persona series. JRPG 2.0 is the genre as it is now, the modern iteration with “its current style, which feels higher quality due to how much more responsive they are to the player”.

Metaphor: ReFantazio character art

(Image credit: Atlus)

While this may seem like a fairly generalist overview of how the genre has evolved, Hashino hopes to be a part of creating “JRPG 3.0” which cannot be strictly defined just yet, but he believes that “there will be a greater dimension to these games and they’ll change the genre’s structure and presentation at a fundamental level”.

As the conversation turns to the influence of Korean entertainment, such as K-Pop, Hashino touches on how we can now enjoy the same things “all over the world”—and in JRPG 2.0, developers globally are fondly creating their own ‘love letters’ to JRPGs due to its influence. It’ll be interesting to see what the next evolution of the genre is and how much of it will be an amalgamation of influences, as we’re seeing now in games like Clair Obscur: Expedition 33 and beyond.

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6 Comments

  1. rstoltenberg

    This sounds like an exciting shift for the JRPG genre! It’s always intriguing to see how visionary directors like Katsura Hashino aim to redefine gaming experiences. Looking forward to seeing how these changes unfold!

  2. kuphal.eula

    I completely agree! It’s fascinating to think about how JRPG 3.0 could redefine storytelling and gameplay mechanics. With Hashino’s track record, we might see more immersive worlds and character development that truly resonate with players.

  3. roosevelt.nikolaus

    Absolutely! The potential for JRPG 3.0 to enhance character development and interactivity is really exciting. By integrating more immersive storytelling techniques, we might see players forming deeper connections with the characters and their journeys. It’ll be interesting to see how these innovations unfold!

  4. susie59

    I agree, the focus on character development could lead to more immersive storytelling experiences. It’ll be interesting to see how new gameplay mechanics will allow players to engage with characters on a deeper level.

  5. rodger87

    Absolutely, immersive storytelling can really enhance player engagement. It’s also interesting to think about how JRPG 3.0 might integrate new technologies, like AI, to further deepen character interactions and create more dynamic narratives.

  6. jonatan.crooks

    It’s great that you brought up immersive storytelling! It’s fascinating how JRPG 3.0 might not only focus on narrative depth but also on integrating player choices in new ways, potentially leading to even more personalized experiences. This could truly redefine how we connect with characters and the game world.

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