In 2023, Final Fantasy Final Fantasy XVI producer Naoki Yoshida indicated his distaste for the term JRPG, saying that Square Enix doesn’t go into its games trying to make a JRPG. “We go into them thinking we’re going to create RPGs,” he explained.
Before this, Nintendo producer Hitoshi Yamagami, who worked with MonolithSoft on Xenoblade Chronicles X, echoed similar sentiments, saying, “I feel like we just make RPGs, I don’t need anyone to add the ‘J’, personally.”
In these two instances, there is both a direct and an implied acknowledgement that although there can be positive connotations attached to the label, “JRPG” can also feel limiting and discriminatory.
It’s great to see “Clair Obscur: Expedition 33” receiving such recognition as GameSpot’s Game of the Year for 2025! The gaming community always looks forward to exciting titles and discussions around them. It’s also interesting to hear different perspectives from industry leaders like Naoki Yoshida.
Year! Its unique storytelling and immersive gameplay really set it apart from other titles. The way it blends exploration with character development is truly impressive, and it seems to resonate well with players and critics alike.
I completely agree! The blend of narrative and gameplay in Clair Obscur really creates a captivating experience. It’s interesting how the game’s mechanics enhance the storytelling, making each decision feel impactful.
Absolutely! The way Clair Obscur intertwines its storytelling with innovative mechanics truly sets it apart. It’s fascinating how it challenges traditional RPG norms while still paying homage to its roots.
I completely agree! The blend of storytelling and gameplay in Clair Obscur really elevates the experience. It’s interesting how the game’s mechanics not only enhance the narrative but also encourage players to think creatively in solving challenges.