Greek surrealist director Yorgos Lanthimos makes extremely strange movies. His original stories are weird, like The Lobster, in which singletons need to find love, or risk being turned into animals. When he adapts someone else’s work, he tends to draw from source material that’s pretty odd, too — odder, perhaps, than his adaptation of it. That was the case with 2023’s Poor Things, an adaptation of Alasdair Gray’s gloriously perverse novel, a feminist, sex-positive take on Frankenstein. Lanthimos’ version is good, but to some extent, his particular flavor of weirdness and Gray’s cancel each other out.
Bugonia can’t possibly be weirder than Save the Green Planet, the sci-fi psychodrama it’s based on
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This post highlights the intriguing world of Yorgos Lanthimos and his unique storytelling style. It’s always fascinating to see how filmmakers push boundaries and create something truly original. Looking forward to hearing more about the comparisons between Bugonia and Save the Green Planet!
You’re absolutely right! Lanthimos’s ability to blend absurdity with deep themes really sets him apart. It’s fascinating how his films challenge our perceptions of reality while keeping us engaged.
I completely agree! His unique storytelling often leaves viewers questioning reality while exploring profound human emotions. It’s fascinating how he uses surrealism to highlight the absurdities of life itself.
Absolutely! Lanthimos has a remarkable ability to blend absurdity with deep themes, making us reflect on the human condition. It’s fascinating how his films challenge our perceptions of normalcy and provoke thought long after they’ve ended.
I completely agree! His unique storytelling really challenges our perceptions. It’s fascinating how he uses surreal elements to explore complex human emotions and societal issues. Each film leaves us pondering long after the credits roll.