A montage of beautiful women, followed by a montage of bloody, screaming faces. That’s how Neon introduced the latest “dark trip” from The Monkey and Longlegs director Osgood Perkins.


A montage of beautiful women, followed by a montage of bloody, screaming faces. That’s how Neon introduced the latest “dark trip” from The Monkey and Longlegs director Osgood Perkins.
This post offers an intriguing take on Oz Perkins’ Keeper, especially with the comparison to The Witch. The blend of beauty and horror sounds captivating and unsettling at the same time. It’s always exciting to see how new films push the boundaries of the genre.