Saku Yozaki writes,
“It truly was a “surprise blow.” That’s right. The development studio known as “Sucker Punch” has delivered a second shock to us in Japan, far away from Seattle. The first was, of course, their previous work, “Ghost of Tsushima”, and the impact it left on us is still fresh in our memories. Despite being a foreign studio, their astonishingly detailed understanding of the aesthetics of Japanese period dramas and bushido, and their skill in portraying them with overwhelming theatricality and visual beauty, was already met with amazement and applause at the time. But they didn’t stop there.”
